Эти два дня совершенно прекрасны. Все, что я посмотрела, будь то кино, или новые серии разнообразных сериалов - все збс. Мне совершенно не хочется критиковать вот этот чудный фильм:
The Hitcher 1986
фильм попадает под категорию ОМГ Мне нужен фик СРОЧНО ФИК МАКСИ ПРОДОЛЖЕНИЕ БАНКЕТА
Сцена, когда дулом ерошат волосы на виске - *______* Обычное дело, да? ага, вот только это делает жертва. маньяку. чертов стокгольмский синдром, но слава богу, здесь нечто большее. Ведь это не простой маньяк, о нет, совсем не простой.
А еще я вспомнила свою детскую любовь...ъх, это из другого фильма, но Эти Глаза... оооо
много англ. букв. или теория о сути фильма, найденная на тумбеSO basically the hitcher touches the main character up several times in the film (he pushes the knife against his crotch, grabs his leg, touches his face several times, looks like he’s going to kiss him several times, after being spit in the face by the main character - he simply holds his face as if he likes it etc), all times the main character is submissive, but attempts to resist - this is him resisting the fact that he is into men. The hitcher is constantly telling him to ‘kill him’ - in other words ‘accept him’. But every time he runs away, denying he could do such a thing and that is wrong. This is him running away from his homosexuality, in the assumption that it’s wrong, that he isn’t gay. Everyone targets the main character despite knowing he’s not the killer, perhaps an analogy for homophobia. The main female lead, he partners up with, he shows no romantic interest in her whats so ever, now I’m not saying he should see a romantic interest in her, that’s not the point of all female roles, but, it is almost like he pairs with her as a ruse to say ‘look I like women’. He clearly doesn’t have too much regard for her (for example, him ignoring her when she talks etc) and she shows signs of a woman denying her boyfriend’s homosexuality. She goes along with him, despite him being totally weird and he could very well be a killer. However, she reveals she could know he is when she denies him buy calling her father, despite him telling very clearly not to. Then when the hitcher says ’ if you kill me, I don’t kill her’. The main character refuses, because by this point, he knows that he can’t get rid of his inner feelings. He can’t rid of the fact that he is homosexual, in the strangest of ways he begins to accept it, at the expense of her life. This then kills off the female love interest, because she’s not needed because now he knows what he wants. This is followed by a scene in which the hitcher is sent to the prison, there the main character holds his hand. The hitcher looks as though he genuinely smiles, as if impressed that the main character has accepted his sexuality. Also, during this point. In an act of defiance, the lead spits in the hitchers face - he is now the dominant one. The hitcher smiles though, because he knows, in a form, that this represents the other coming to terms with his sexuality. So anyway, the film ends with him accepting who he is. He ‘kills’ the hitcher, which is almost like the two of them finally fucking and getting over with, as he thinks the hitcher is dead, he strokes his hair. The hitcher was his first true love (and the form which would force him to accept his homosexuality). The film ends on a total downer note, because the lead stands, as if ashamed of his true identity.видео. спойлеры
@темы:
слэш,
Мировое зло,
Получи по мозгам, инспектор Гранден(с),
Тяжело жить на свете слепому фетишисту(с),
Сам Себе Пейринг